Vanka Kain in Russia’s Cultural Space: The Semiotics of Behaviour
نویسندگان
چکیده
This article examines the main interpretations of image Vanka Kain (Ivan Osipov), famous “thief and swindler” from 1730s, based on documents Investigative Prikaz, decrees Senate, affairs Police Chancellery, as well two works art eighteenth century in which Сain acts character. The considers Ivan Osipov’s “autobiography”, allegedly written by himself known Life Adventures Russian Cartouche Called (1777), Story Swindler, a book M. Komarov (1779). While analysis historical makes it possible to recreate appearance Kain, literary texts help us see his accordance with traditions eighteenth-century folk culture fiction, emerging robbery novel, created conditions for romanticisation outlaw. As result, author singles out images “Russian Cartouche”, “daring good fellow”, “unfortunate”, “fraud thief” personifying elements buffooning nature through system robbery-related jokes. A special place characterisation is occupied “detective” “Kain” (the latter visualised lesser extent texts, but reflected century). suggests supplementing existing characteristics adventurer era “palace coups”. semiotics behaviour are inextricably linked cultural situation 1730s–1740s, allowed former serf temporarily become actual “master” Moscow instructions were decree Empress Elizabeth.
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ژورنال
عنوان ژورنال: Quaestio Rossica
سال: 2022
ISSN: ['2313-6871', '2311-911X']
DOI: https://doi.org/10.15826/qr.2022.1.671